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JOSEP MARIA MONTANER



Doctor arquitecte i crític d'arquitectura i de disseny. Professor ti­tular de Composició de l'Escola d'Arquitectura de Barcelona. És autor nombrosos llibres i publicacions sobre arquitectura i disseny:  L'ofici de l’arqui­tectura, Universitat Politècnica de Barcelona, 1983: Arquitectura in­dustrial a Catalunya, del 1732 al 1929, 1984; Caixa de Barcelona, 1984;  Los museos de la última generación, 1986; Gustavo Gili, Barcelona 1986; Nuevos museos, 1990; Fills de Blade Runner, 1991; i Museos para el nuevo siglo, 1995. Premi Lluís Domènech i Montaner de l'Institut d'Estudis Catalans. Col·laborador a la En­ciclopèdia Universal Espasa i al diari El País.


Articles



08 DESIGN, TOOL FOR THE FUTURE, 1993

GIORGIO BERSANO, RICHARD BUCHANAN, JULI CAPELLA, QUIM LARREA, YVES DEFORGES, KIMBERLY GEORGE DOVEY, ALESSANDRO MENDINI, JOSEP MARIA MONTANER, CHARLES L. OWEN, ANTY PANSERA, ANDRÉ RICARD, ENRIC SATUÉ, JONATHAN WOODHAM
Response to the survey: "Design and freedom in the process of creation of forms"




07 DESIGN IN THE OLYMPIC GAMES. A HERITAGE FOR BARCELONA, 1992

JOSEP MARIA MONTANER
The Barcelona model




13 THE CULTURE OF DESIGN, STEO BY STEP. THE ELISAVA SCHOOL IS 35 YEARS OLD, 1996

JOSEP MARIA MONTANER
Children of Elisava




02 DESIGN, COMMUNICATION, CULTURE, 1988

JOSEP MARIA MONTANER
El Pavelló de Mies a Barcelona: una reconstrucció polèmica


The Mies Pavillon in Barcelona: a polemical reconstruccion

The article «The Mies pavilion in Barcelona: a polemical reconstruction» presents a fair sample of the different opinions that have appeared as a result of the reconstruction, in Barcelona, of the pavilion that Mies van der Rohe built in 1929. Although the official and most widespread view-point is favourable towards the project, several criticisms have sprung from different sources, of which this article shall try to give an organized account and place within the right context. Thus the article takes a look at the main subjects on which the polemics has centered: the suitability of reconstructing a work of art of the past; whether or not the essence of the pavilion lies in its ephemeral character; the location of the reconstructed pavilion; the ideological appraisal of the pro­ject the relation to the pavilion's contemporary myth seen through its photographs and the technical correctness of the replica. The article follows diallectically all these antagonistic arguments and concludes by postulating the need to speak of replica and not re­construction.

[...]


05 CULTURE AND HISTORY OF DESIGN. VISUAL LANGUAGE ANALYSIS. DESIGN AND MARKETING. TECHNOLOGY AND INFORMATION PROCESSING, 1991

JOSEP MARIA MONTANER
The return of Tessenow




12 DESIGN, COMMUNICATION, CULTURE, 1995

JOSEP MARIA MONTANER
Rationalism as a method of projecting: progress and crisis