JOSEP MARIA MONTANERDoctor arquitecte i crític d'arquitectura i de disseny. Professor titular de Composició de l'Escola d'Arquitectura de Barcelona. És autor nombrosos llibres i publicacions
sobre arquitectura i disseny: L'ofici de l’arquitectura, Universitat Politècnica de Barcelona, 1983: Arquitectura industrial a Catalunya, del 1732 al 1929, 1984; Caixa de Barcelona, 1984; Los museos de la última generación, 1986; Gustavo Gili, Barcelona 1986; Nuevos
museos, 1990; Fills de Blade Runner, 1991; i Museos para el nuevo siglo, 1995. Premi Lluís Domènech i Montaner de l'Institut d'Estudis Catalans. Col·laborador a la Enciclopèdia Universal Espasa i al diari El País.
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Articles
08 DESIGN, TOOL FOR THE FUTURE, 1993 GIORGIO BERSANO, RICHARD BUCHANAN, JULI CAPELLA, QUIM LARREA, YVES DEFORGES, KIMBERLY GEORGE DOVEY, ALESSANDRO MENDINI, JOSEP MARIA MONTANER, CHARLES L. OWEN, ANTY PANSERA, ANDRÉ RICARD, ENRIC SATUÉ, JONATHAN WOODHAM Response to the survey: "Design and freedom in the process of creation of forms" 07 DESIGN IN THE OLYMPIC GAMES. A HERITAGE FOR BARCELONA, 1992 JOSEP MARIA MONTANER The Barcelona model 13 THE CULTURE OF DESIGN, STEO BY STEP. THE ELISAVA SCHOOL IS 35 YEARS OLD, 1996 JOSEP MARIA MONTANER Children of Elisava 02 DESIGN, COMMUNICATION, CULTURE, 1988 JOSEP MARIA MONTANER El Pavelló de Mies a Barcelona: una reconstrucció polèmica The Mies Pavillon in Barcelona: a polemical reconstruccion The article «The Mies pavilion in Barcelona: a polemical reconstruction» presents a fair sample of the different opinions that have appeared as a result of the reconstruction, in Barcelona, of the pavilion that Mies van der Rohe built in 1929. Although the official and most widespread view-point is favourable towards the project, several criticisms have sprung from different sources, of which this article shall try to give an organized account and place within the right context. Thus the article takes a look at the main subjects on which the polemics has centered: the suitability of reconstructing a work of art of the past; whether or not the essence of the pavilion lies in its ephemeral character; the location of the reconstructed pavilion; the ideological appraisal of the project the relation to the pavilion's contemporary myth seen through its photographs and the technical correctness of the replica. The article follows diallectically all these antagonistic arguments and concludes by postulating the need to speak of replica and not reconstruction. [...]05 CULTURE AND HISTORY OF DESIGN. VISUAL LANGUAGE ANALYSIS. DESIGN AND MARKETING. TECHNOLOGY AND INFORMATION PROCESSING, 1991 JOSEP MARIA MONTANER The return of Tessenow 12 DESIGN, COMMUNICATION, CULTURE, 1995 JOSEP MARIA MONTANER Rationalism as a method of projecting: progress and crisis |