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16 2000 | Editorial






The number in the reader's hands is a miscellany, which means, of course, that it contains articles on several themes. However, these articles can be grouped together in three different areas: the first deals with television as a communications medium, as well as the visual codes it uses; the second is made up of works which reflect on design from different viewpoints; and, finally, there are two articles on space, both from the general point of view which we can doubtless call anthropological and from another more applied one.
Thus, this is a group of articles on design or on cultural aspects surrounding this discipline which allows us to place it in social and cultural context. It seems obvious that those who wish to understand design and the complexity it implies cannot limit their point of view exclusively to the circumstance of this discipline, but must rather widen their interest to the different ambits of social life related to design which, in fact, condition it.
The reader should rake into account that Temes de Disseny's editorial policy has always led in the same direction, which is none other than the offer of a wide range of specific themes, along with others of more general contents. This is where our title's sub-heading Design, Culture, Technology, Communication comes from.

The first part, «Television, its Language and Culture» is about some aspects of this medium which we consider as making up the central core of the communications system today. There is no need to underline the importance that media communications currently enjoy in complex societies; this justifies Temes de Disseny's interest in television, due to the contents it carries, as well as some of the social and ethical problems the medium raises.
This publication had not dealt specifically with communications media, and especially television, before, but we can be quite sure that in the near future current events will oblige us to look at this theme more often.

The «Critique on Design» section always comes up in our publication, for obvious reasons. In this present number, we deal with themes which are yesterday's but also today's and, probably, tomorrow's. What is, and what is not, design? What relation is there between function and form, form and use? How have design projects and their industrial production connected over time?

These are questions asked over and over again that have received different answers according to the times; we must now find the answers which correspond to our own time. In this number we can also find a lucid reflection, from the architectural point of view, on relations between natural and designed space.

In the last part, «Anthropology of Space», we deal with two themes which refer, of course, to the idea of space. On the one hand, basic living space, which is therefore anthropological and, on the other, specific architectural space: that of museums and their insertion in the city.

Temes de Disseny 16 contains a variety of themes, dealt with by contemporary specialists from very different theoretic points of view.

Accordingly, we offer a partial panorama which is, however, representative of some interests focusing the attention of those who (in the world of design and its cultural environment) still think over, quite beyond the banalities broadcasted due to the discipline's growing popularity.


Contents



16 2000

DANIEL CID MORAGAS
The Museum and the city



16 2000

JAUME BARRERA
‘Gaps’: communication strategy in images



16 2000

ANNA CALVERA
'A Hot Cup of Consomee' Something between an essay and a dissertation on a possible aesthetic acception of the notion of utility proposed by Richard Redgrave about 1850



16 2000

JOSEP M. FORT MIR
Nature and artifice: a search for a new balance



16 2000

JORDI BERRIO
Design after the disappearance of the great metanarratives



16 2000

EVA PUJADAS CAPDEVILA
Renovating the ethical view to take in the television image



16 2000

JORDI FARRÉ, ENRIC SAPERAS
Television: a window open on the world?



16 2000

BLANCA SALA LLOPART
Anthropology and Architecture. Appropriation of living space